Friday, 21 March 2008

Strategy Verdict - Ditto.net - my article featured in Media Week

I was recently asked by Media Week to write a 'strategy verdict' on the launch of ditto.net and they featured my piece in this weeks edition :


"Social networking is no longer restricted to mass-market sites such as MySpace and Facebook. Media players such as Bauer are also climbing over themselves to get a piece of the social networking pie.

Bauer is tapping into this trend by launching Ditto.net, a social network-ing site for film fans and music lovers. The decision to embrace social media and the opportunities it has to offer is a brave one.

Ditto.net certainly looks the part - it is well designed and easy to use. It combines elements of dating sites, community sites and the Amazon-like recommendation model to allow users to discover and share films and music with like-minded people.

However, the success of the site will depend on the number of users it attracts. Bauer is a dominant player in the music and film magazine market, but by entering the social media arena it will suddenly find itself surrounded by a large number of competitors. User numbers for NME.com, Yahoo Music and Radio 1 are huge, and while going niche may be an advantage for Bauer, advertisers will always prefer large user numbers.

I wonder, therefore, whether Bauer is better off launching Ditto.net within an existing social networking property where user numbers will be bigger. The iLike application on Facebook, for example, which lets users add music and videos to their profiles, started life as a stand-alone website struggling to attract significant numbers. When it was launched as an application on Facebook six months later, one million users signed up in the first week alone. If Ditto.net continues as a stand-alone social network, I would like to see Bauer extend advertising options beyond the site itself.

Advertising options that run across a range of channels, including Ditto.net, and Bauer's magazines and TV channels, for example, will deliver more value to both brands and Bauer. After all, the future of such niche social networking sites will depend on the return on investment they deliver to publishers.

Review by Nick Burcher, Board Director, Zed Media"

This was also featured on Brand Republic here:

Monday, 10 March 2008

OU and Telegraph use video, Twitter, newspaper and web to promote OU courses!

The Daily Telegraph have launched a range of activity with the Open University to promote further learning. A variety of innovative activity includes web, newspaper and video executions - there is even a mobile angle as readers can engage with the OU through Twitter!

"The OU offers a great learning experience that will be enjoyable, rewarding and, in many cases, life-changing. More flexible than traditional study routes, students can fit learning around their lifestyles; whether round a career, a family, their financial situation – or any other special needs. The OU is an accessible option to all.

With more than 560 inspiring courses to choose from covering subjects as diverse as accounting to algebra, biology to business studies, criminology to caring, everyone can find a course to suit their needs."

Web


The homepage of the promotion (http://www.telegraph.co.uk/ou) links to the video content and other aspects of the promotion. It also contains a prize draw that allows readers to win £250 course vouchers, every week for the next 8 weeks.

Video

The Telegraph and OU have together produced a series of video interviews with a wide range of people discussing how the OU has helped them. These videos are hosted on Brightcove and the first video can be seen through the main homepage or through the link here:

http://link.brightcove.com/services/link/bcpid1406608178/bclid1443716674/bctid1443772664

Video homepage on telegraph.co.uk

Newspaper

The activity is also being promoted in the Daily Telegraph newspaper. The video interviews are running as advertorials in paper and the OU also have logos appearing around the games on the back page (taking sites around the crossword and Sudoku puzzles.)

Advertorial in the Daily Telegraph

Twitter

This promotion also branches into social networking and mobile by allowing readers to follow the OU on Twitter. The OU are uploading news stories and interesting facts to allow users to engage through mobile. (http://twitter.com/openuniversity)

Open University Twitter

This is a great example of a traditional newspaper publisher embracing new channels, resulting in an innovative cross-media promotion for an advertiser. It will be interesting to see the results!

Sunday, 10 February 2008

Superbowl 2008 TV ads find new life online as YouTube, MySpace and AOL run Superbowl ad channels

Last weekend saw Superbowl XLII (2008). In line with tradition TV ads were extremely expensive and over the top ad productions included Justin Timberlake, giant carrier pigeons, talking babies, dancing lizards and Republican / Democrat politicians being nice to each other. I was also particularly pleased to see Diet Pepsi Max use Haddaway 'What Is Love' as their soundtrack!

Since then a number of video websites have been running polls and discussions around the best Superbowl 2008 TV ads. AOL video, Myspace and YouTube have all joined in and there have been some very large viewing figures. AOL do not allow the ads to be seen outside of the US, but MySpace (at www.myspace.com/superbowlads) and YouTube (www.youtube.com/adblitz) are both running Superbowl channels that contain all the TV ads and allow user feedback. (News Corporations MySpace site being name checked in News Corporations Fox TV Superbowl coverage.)

www.youtube.com/adblitz
(YouTube are due to declare the most popular Superbowl ad on Tuesday 12th February 2008)


Not only have these sites extended TV ad reach, but they also provide insight into how appreciated the ads were.

Most discussion sites seeem to rate the Budweiser horse ad highly;

Budweiser Superbowl Ad: Hank the Clydesdale

Add to My Profile | More Videos

Web services provider GoDaddy.com had the most successful cross-media strategy this year after Fox refused to carry their creative. Instead of amending their copy, GoDaddy.com made a new TV ad that announced that the 'banned' creative could be viewed at GoDaddy.com - “You won’t see it on TV, but it’s on at GoDaddy.com" :

GoDaddy.com Super Bowl TV Commercial

Add to My Profile | More Videos

The banned GoDaddy ad 'Exposure':


GoDaddy CEO Bob Parsons has written up the results on his blog (http://www.bobparsons.com/SB08FirstResults.html). GoDaddy.com received 1.5 million visits before the game was over and 2 million total visits for the day - this compared to 500,000 visits last year!

My personal favourite from the 2008 Superbowl ads was an ad for Sobe Life water that featured Naomi Campbell and dancing lizards. With significantly more YouTube activity than any other ad I could find (965,107 plays, 2488 ratings and 5,350 users favoriting), it would appear that other people like it too!

Thrillicious / Sobe Life Water Super Bowl Commercial: Naomi Campbell

Add to My Profile | More Videos

I think this is a great ad, but I was even more impressed once I had been to the supporting microsite at http://www.thrillicious.com

Screengrab from www.thrillicious.com

The site has slick production values and also has some entertaining video footage (below) to supplement the TV ad - a great example of using online to bring a TV ad to life / build greater engagement with the consumer.




This was the first year that I have been able to watch the ads from the Superbowl. The game is transmitted in the UK, but we do not see the associated advertising and marketing around it. The fact that I have been able to watch the ads, that the MySpace profile has 113,821 friends and the YouTube channel has 200,260 channel views, clearly demonstrates that advertisers have an huge opportunity to extend TV ads online. I was surprised how few Superbowl ads carried web addresses and think that there a number of brands missed an opportunity this year. At an alleged $2.7million for a 30 second Superbowl TV spot, then it wouldn't take much for people to follow the example of Thrillicious and I think 2009 will see more advertisers integrating their Superbowl TV ads with web properties.

Friday, 12 October 2007

Letter to Revolution Magazine in response to their recent Search Engine Marketing feature

Revolution Magazine recently ran a feature on Search Engine Marketing (Oct issue.) The feature covered SEO and PPC, but made no reference to how these activities integrate with other media channels. Knowing about activity in other channels is extremely important as it has a big effect on what strategy needs to be employed to run a Search campaign successfully. I have written a letter to point this out:

Nick Burcher writes: "I was surprised that last month’s Search feature (Revolution, Oct issue) made little mention of integrating Search campaigns with other channels. Even though some categories are getting more competitive, Search expenditure will continue to increase. Growth will not only be fuelled by new developments and platforms, but will also come from increased use of Search for branding and increased awareness of the benefits of running Search alongside ‘traditional’ media.

As the feature suggests combining a SEO and PPC strategy will positively impact on traffic, however the real gold is to be found when PPC is used as part of a wider media campaign. Truly integrated media agencies, that combine Search planning with an in-depth knowledge of ‘traditional’ media, are in a position to gain better ROI than those who have a single channel / digital only focus.

Search is at its most effective when integrated with other media channels. In the future, the most effective campaigns will be delivered by those who understand not just how PPC and SEO fit together, but by those who understand how PPC and SEO sit within the entire media spectrum."

Monday, 8 October 2007

Murder in Second Life! Virtual Reality meets Law & Order (Special Victims Unit)

A new episode of Law & Order SVU finds the investigation heading in and out of a virtual world that looks remarkably similar to Second Life. The episode was screened in the US and the trailer can be watched through the US NBC website below:

http://www.nbc.com/Law_&_Order:_Special_Victims_Unit/video/#mea=163358

Nick Burcher writes: "After World Of Warcraft was featured in the Simpsons, it was only a matter of time before a virtual world turned up in a detective / crime drama, though I assume the writers at CSI are kicking themselves that they didn't think of it first!"

Tuesday, 31 July 2007

Convergence - get the idea across in 40 slides of powerpoint or 39 seconds of video.........

video

Tuesday, 13 March 2007

Zed Media and BBC Magazines broker cross-media deal


Full press release behind this story:

PRESS RELEASE

Date: 9 March 2007

ZED BROKERS EXCLUSIVE CROSS-MEDIA DEAL WITH BBC MAGAZINES FOR
MEAT NEW ZEALAND


ZED has brokered an exclusive cross-media deal between BBC Magazines and Meat New Zealand. The on and off-line campaign is the first cross-platform display only deal that BBC Magazines has arranged through a single media team.

This deal comes just weeks after BBC Magazines announced a new focus on aligning its media sales and made steps towards moving its online sales in-house. ZED’s unique multi-channel media expertise makes the agency ideally positioned to link cross-media negotiation through a single team and gain extra value for clients as a result.

The aim of the BBC Magazines campaign is to raise awareness of New Zealand Lamb amongst the target upmarket female audience. Commencing early March, the three month campaign includes print activity in the BBC’s Good Food magazine, olive and Easy Cook with accompanying online placements on BBCGoodfood.com homepage and recipe pages.

Commenting on this latest deal Nick Burcher, board director (buying) at ZED said: “This is another example of how ZED works with forward thinking media owners to integrate online and offline, and deliver great value for our clients. It is the unique integrated expertise of ZED that enables us to create ground-breaking deals which are mutually beneficial for both media owners and clients.”

Matt Sims, Ad Director at BBC Magazines says: “We’re delighted to have Meat New Zealand advertising not only in our food magazines, but also featured on the already successful BBCGoodfood.com website. We look forward to continuing our relationship with Zed by establishing further deals throughout 2007.”

- ENDS -

Tuesday, 16 January 2007

Guardian sales lead is one that others should follow


The Guardian have recently announced that they are merging their online and offline advertising sales teams. We think this is a good idea and I wrote a letter to Media Week to say so! Letter was published on 16th January 2007:


"I thought your story on The Guardian physically joining their digital and print ad sales team was a great way to start the New Year! We are not surprised to see The Guardian among the first to do so as they have been one of the leading protagonists in utilising new technology.

The Guardian have been breaking news online rather than in print, use cross-channel promotion to push editorial products, and have harnessed Web 2.0 opportunities (think ‘comment is free’, their collective group blog). They have also recognised that digital opportunities can be used to take their brand into new areas, which was done successfully with the exclusive Ricky Gervais Show on podcast.

The main question is why it hasn’t happened sooner? In recent times special projects and ‘brand experience’ cross-platform deals have been commonplace in the industry, but publishers have been slower to integrate day to day / standard trading. At Zed we have been working across ‘All Lines’ for a number of years and encourage any moves that make it easier to trade across channels within a publishers portfolio.

We hope that the Guardian (and News Group) sales structure changes are just the start, and encourage others to follow suit. This will create new opportunities for our clients and mean that 2007 can truly be the year of integrated trading!"

Monday, 1 January 2007

The power of blogs and how Abby Lee became a household name.....

Web 2.0 has created a whole new world of content. In the past production and technology costs had meant that media organisations produced content and the audience just consumed it. Now anyone can publish to the web in minutes. Sites like YouTube or Flickr allow people to post videos and pictures but by far the most popular way of producing User Generated Content has been blogging. Technorati (http://www.technorati.com/) monitors activity and currently tracks 91.4 million blogs and over 250 million pieces of tagged social media.

The BBC produced a documentary discussing the blogging phenomenon at the end of 2006:

http://www.youtube.com/watch?v=vgoG7Oi14Dw

This documentary featured Abby Lee - a blogger who started an anonymous sex blog and ended up becoming something of a celebrity. The way that this happened (and the speed with which it happened) is a great example of the way that new publishing technology has forever changed the media environment. People may not find the content agreeable and she can be a dirty, dirty lady, but it is one of the best examples of how publishing has changed.

The blog:

http://www.girlwithaonetrackmind.blogspot.com/ (warning: sexual content)

features her thoughts on sex and graphic descriptions of her sexual exploits. It became one of the UK's most widely read blogs (2 million+ visitors) and as result a publishing deal was offered.

The book is a kind of 'dirty Bridget Jones' and features choice extracts from the blog. Whilst the book protects the anonymity of the author, the Sunday Times decided it would be in the public interest to reveal the real life identity of the 'Girlwithaonetrackmind.' On 6th August 2006 they used a large part of page 3 to do so.

Abby Lee refused to contribute to the Sunday Times story, but in it's aftermath sanctioned an interview with the Guardian:

http://www.guardian.co.uk/g2/story/0,,1842121,00.html

She then went on to appear on the Sharon Osbourne show:

http://girlwithaonetrackmind.blogspot.com/2006/09/sharon-osbourne.html

and has been seen in a number of places either discussing her blog or putting forward her views on relationships.

Monday, 6 November 2006

Olswang Convergence Consumer Survey 2006

The Olswang Convergence Consumer Survey 2006 was an online survey of over
1500 UK consumers, aged 13 to 55. The survey was conducted for Olswang by
Entertainment Media Research Limited, during August and September 2006. It
follows the inaugural Olswang Convergence Consumer Survey which was conducted
in 2005.

UK survey reveals consumers are streaming and downloading audio-visual content in the comfort of their living room, but are not prepared to pay.

The Olswang Convergence Consumer Survey 2006 has revealed that rights holders and service providers are facing new challenges in the battle for consumer attention and control of the living room. In the digital age, consumers want choice and control but for providers, the biggest hurdle is to overcome consumers' unwillingness to pay for content.

Consumers are now demonstrating a clear preference for full-length feature films and TV programmes over shorter clips and trailers as their content of choice for the PC. Nearly 40% of UK consumers are already streaming or downloading audio-visual content onto computers at home and nearly half of these are doing so in the living room. Whilst this may suggest a potentially lucrative new market for rightsholders and service providers, the downside is that consumers appear unwilling to pay to receive content on their home PC, with 1 in 2 not prepared to pay anything extra for streamed/downloaded content and a further 40% not willing to pay more than £5 per month.

Content providers begin fight for control of the living room

Now in its second year, the independent survey of 1,500 13-55 year old UK consumers discovered that, although home computers are often used in the study or bedroom as a replacement television set, 49% of those consumers who are watching streamed or downloaded content are doing so on a computer in the living room, which is now by far the most popular location for this activity. In order to engage in the battle for dominance of the living room, companies need to adapt their services to take account of this behaviour.

The principal reason revealed by the Survey as to why the remaining consumers are not streaming or downloading content is because they are happy watching television "the way it is" and from a comfortable chair. These consumers still need to be educated that content which arrives on a computer is now compatible with this traditional style of "lean back" television. New devices which will allow consumers to shift content from the computer to the main television set after it has been downloaded or while it is being streamed, such as Apple's recently announced "iTV" device, should help to bridge this gap.

Consumers want control over their viewing

The Survey uncovered a behavioural shift in the way consumers watch programmes. The most popular reason for streaming and downloading is the control it gives consumers over what they watch and when. Amongst device owners, Sky+ is considered the second most important and desirable device after the mobile phone, showing the extent to which Sky+ users value the control it offers. In fact, 58% of Sky+ owners claim to watch an equal amount of live and recorded programming.

Consumers also appear attracted to the choice of content and viewing times offered by video on demand (VOD) services, such as those already provided by ntl/Telewest and Homechoice and shortly to be launched by BT. 38% of consumers, on top of the 12% who are already receiving VOD, state they are interested in receiving VOD on their television sets. Of these, 45% state that they are most likely to buy a VOD service from Sky, compared to 22% who would expect to buy it from a cable provider and only 4% who would expect to do so from a telco such as BT. This suggests that traditional suppliers of TV content remain well placed to capitalise on consumer demand.

However, while new technologies allow consumers control over what to watch and when, people are paying less attention to programmes, whether they are watching them on a TV or on a computer, which lies at the heart of the battle for consumer attention. Multi-tasking is becoming accepted behaviour. 46% of respondents are emailing and 43% surfing the net at the same time as watching television, and the incidence of multi-tasking is markedly higher amongst those whose computer is in the living room. Consumers are also taking advantage of the functionality offered by personal video recorders to skip through adverts, with 86% of Sky+ users claiming they forward past adverts all or most of the time when watching recorded programmes, obviously a concern for UK advertisers.

How can providers persuade consumers to pay?

The main obstacle for online audio-visual content providers is persuading consumers to pay, with half of all consumers surveyed saying they are not prepared to pay anything extra to receive TV programmes or movies on their home computers. A further 18% are not prepared to pay more than £2 per month for content and 22% are willing to pay only between £2 and £5.
However, a more positive message for service providers is that consumers' use of devices such as Sky+ to skip adverts does not mean that consumers necessarily expect to receive online audio-visual content without any adverts. A quarter of all respondents said they would prefer to receive online content for free with adverts included, compared to only 11% of respondents who would prefer to pay a small fee in order not to have adverts included.

Mobile TV remains unpopular

It was a major feature of the 2005 survey that 70% of respondents did not want to watch TV on a mobile phone. Despite the launch of a range of mobile TV services in the last 12 months and despite the mobile phone remaining respondents' favourite device, consumers remain uninterested in using their mobile phones to view audio-visual content.

This year's survey provides greater insight into why this is so. 90% of respondents have not yet streamed or downloaded any full length content, clips or trailers to their mobile phones and, of these, over 70% stated they have no future interest in this activity. Looking at the difference between computer and mobile use, the key to this appears to be that what people really want is full-length content, not clips or trailers – and that this full-form content is not really suited to mobile consumption, other than in special cases where content is short but complete in itself, such as music videos.

Mobile phone companies also face competition from usage of other portable devices, with 30% of consumers already using a portable DVD player, Sony PSP, iPod with video or other device to watch TV programmes or movies.

It is clear that consumers are beginning to experiment with all of the different device/content combinations now becoming available – but it is still too early to see who will be the real winners in this battle.

http://www.olswang.com/convergence/files/TheOlswangConvergenceConsumerSurvey2006.pdf

Wednesday, 18 October 2006

Zed broker deal with Telegraph PM for Zurich

Zurich became one of the first advertisers to use Telegraph PM today. In a great example of online and online coming together, Nick Burcher from Zed Media negotiated for Zurich's newspaper copy to be adapted so that it could run in Telegraph PM, the electronic afternoon edition of the Telegraph.


Colour half page ads that have been running in the newspaper have been resized so that they can be used for Telegraph PM. Additionally logos on the ads have also been enhanced so that readers can click on them and be taken directly to the Zurich website.

The campaign will last for one month, will feature 2 different half pages each day (one in news, one in business) and creative will promote Zurich Car Insurance, Zurich Home Insurance and Zurich Business Insurance.

Click here for the first edition that Zurich appeared in:

Other issues can be found in the Telegraph PM archive:

Tuesday, 19 September 2006

Publishers finally catch on to online


Media Week ran an article about IPC developing their online capabilities, including some of my quotes:

IPC is the latest magazine publisher to announce a plan for embracing the opportunities offered by new media. But is it too late to bring print and online together?

With the appointment of its first digital development director last week, IPC joined a number of consumer magazine publishers who are, perhaps belatedly, looking to exploit their print brands in new media.

Neil Robinson, who has been appointed to the role, concedes that across IPC new media activity has been patchy until now. "We've done very well with some titles having a strong presence online, such as NME, Wallpaper and Country Life, but it must be admitted that in women's divisions, such as IPC Connect and Southbank, there is scope to do more."

Robinson has already started researching how readers of women's brands are likely to use new media, including mobile and digital TV, and is drawing on the experience of NME.com, which he formerly ran.

"In a focus group recently with women, I was fascinated by how some of them use new media, some sit and surf for three to four hours," says Robinson.

Cautious approach

But could this embracing of digital opportunities be too late as online-only brands, such as MySpace, and specifically in the women's and teen sectors, handbag.com and mykindaplace, respectively, have already stolen a march on publishers like IPC?

Nick Burcher, buying director at Zed Media, thinks it is not too late. "I think IPC is adopting a cautious approach after being burnt during the dotcom crash and are looking to see what brands can be developed, rather than just giving every title a website for the sake of it. If it does it right and adds something to the brands that the audience can engage with, then it isn't too late."

Wednesday, 6 September 2006

The digital side of the London freesheet war

The Media Guardian story on the online competition between the free London papers was picked up by Editorsweblog and they included one of my comments:

http://www.editorsweblog.org/news/2006/09/the_digital_side_of_the_london_freesheet.php

An important aspect of the row that has surfaced between Associated Newspapers and News International which have both just launched freesheets in central London, is how the two companies plan on tying their print and web editions together.

An article in the Guardian points out that the younger professional crowd, at which the two free papers are aimed, are increasingly ignoring television when they get home from work, instead, plugging into the Internet. So there is a lot of opportunity.

Thing is, Associated is well established in this domain, having started Thisislondon.com back in 1997 to accommodate its Evening Standard. And thelondonpaper.com, NI's online accompaniment to its freesheet, has struggled, launching late on its first day and displaying frequently a holding page while staff deals with technical difficulties.

Thelondonpaper.com is also trying to integrate interactivity, accepting contributions from readers but there is no evidence yet that this will become a popular feature.

Media buyers will be closely watching how the respective websites and papers will fare. Director at Zed Media, Nick Burcher said, "People will develop a preferred product and it won't just be about the paper product, it will be about the best overall offering."

Source: The Guardian

Tuesday, 5 September 2006

The online front in London's freesheet war

http://media.guardian.co.uk/newmedia/story/0,,1865496,00.html

Media Guardian had a piece about the free London papers and looked at their web offerings. They used some of my thoughts:

Beyond the battle to get freesheets into commuters' hands, a digital scrap is shaping up between London Lite and the London Paper, pitting Associated's well-established Thisislondon.co.uk against News International's nascent web presence.

The London Paper's website did not get off to the best start yesterday, failing to launch until some time after the paper hit the streets at 4.30pm. Anyone following plugs for the site from yesterday's print edition was left looking at a holding page.

The paper's website is still running with a beta tag, indicating that it is in a development phase, to cover the readily apparent shortcomings.

That said, News International appears to have ambitious plans for thelondonpaper.com, targeting a younger readership and aiming to build a community with feedback opportunities, services such as dating and linking to the likes of MySpace.

As an unknown quantity for advertisers, the site is also stacked with News Corporation brands such as Sky.

By contrast, Associated has sought to integrate London Lite into its existing internet offering - originally launched in 1997 to support the Evening Standard - using a lightly co-branded homepage.

On the face of it the experience, the depth of content and existing user base of the almost decade-old Thisislondon.co.uk should give it an advantage over News International's rival digital upstart.

Distinctive purple colouring is used on the masthead, online and in the launch advertising campaign for the London Paper and its website. "It feels like there is more of a brand being built around the London Paper beyond being just a free paper, while London Lite to an extent feels tacked on to the top of the Thisislondon masthead," says Nick Burcher, a buying director at Zed Media.

Zed Media's Mr Burcher argued that the London Paper's website must up its game and not rely on simply attracting users who already read the paper.

"My view is that with hundreds of thousands of copies out there of each paper - as well as other such as City AM, Metro and the Evening Standard - there is a big universe to distribute to," he said.

"People will develop a preferred product and it won't just be about the paper product, it will be about the best overall offering."

Tuesday, 14 March 2006

Dennis accepts the online challenge

Media Week ran a feature on Dennis publishing adopting a new strategy for offline / online integration. They used some of my comments:


"As the publisher of Test Drive magazine cuts its print edition by 64 pages and moves information online, Robin Parker asks if this will work and how others adapt to the web.

Losing over 50% of sales in a year is enough to cause any publisher to undertake a dramatic rethink of their magazine but Dennis' decision to strip its motoring monthly Test Drive of 64 pages, most of them crammed with car specification data, and moving them online, marks a major shift in the balance between its print and web offerings. It is also slashing its price in half, from £2.99 to £1.50.

Managing the expectations of print and online readers, while ensuring that neither medium steals the other's audience, is a familiar challenge for print publishers. Dennis argues that since a large, dense section of magazine pages barely change each month, why not put it where readers can use it more effectively?

Publishers largely have separate advertising teams for their web and print offerings, but are keen to pursue cross-media deals. Yet, for now at least, the magazine will get the lion's share and the website will continue to be used as a promotional prop.

Nick Burcher, buying director at Zed Media, acknowledges that both publishers and agencies need to move out of the single-medium straightjacket.

'The conundrum lies in making it viable,' he says. 'It would be great if we could book and negotiate packages on a daily basis across print and online, but unlike print, where you talk about 'coverage', there's no equivalent currency online to provide a comparison, other than measuring traffic.' "

http://www.mediaweek.co.uk/analysis/index.cfm?fuseaction=details&nNewsID=546677

Saturday, 12 July 2003


Nick Burcher set up a CPA deal with the Telegraph on behalf of Rover.

Over the summer period Rover gave the Telegraph 6 cars to give away in a prize draw. This benefited the Telegraph as they could use the activity as a circulation driver and in return for the cars they gave us approx £200k worth of space in paper and online to support it (cars were effectively exchanged for space).

Readers responded either on line or by post with a competition entry form from the paper. The entry form also had a space where the reader could signify that they were willing to take a test drive. To encourage people to test the cars, a discounted weekend break at a Hilton hotel was offered to all entrants who ticked the box asking for a test drive.

Rover got all data from competition entrants (150,000 names), but only paid for those who ticked the box saying they would like a test drive – 18,185 names. Rough calculations show that the total cost for this whole project was £75,000, but that it generated sales of nearly £50million - fantastic ROI!

Monday, 30 October 2000

Rover and BBC Radio Times partner in Olympics cross-media sponsorship deal


Rover sponsored Team GB at the 2000 Sydney Olympics. Special edition cars were produced and painted gold, silver and bronze. In order to promote Rover's association with the team, and the special editions, we brokered one of the first cross-platform deals and used the Radio Times portfolio for 6 weeks in September / October 2000.

The package of activity included a 'win a car' competition on a detachable front cover flap, a marketing DPS to promote this, a DPS advertorial, ad pages, strips on TV listings and a web reprise that included competition fulfilment.

There were 18,000 entries to the competition and remarkably (given how young the internet was) over half of these entries came through the competition website!